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An Analysis of Creative Art and Its Manifestations in Transcendent Philosophy of Art | ||
| الهیات تطبیقی | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 03 آبان 1405 | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22108/coth.2026.149076.2122 | ||
| نویسندگان | ||
| علی رضایی1؛ مهران رضایی* 2؛ محمود دیّانی3 | ||
| 1گروه فلسفه و کلام اسلامی، دانشکده الهیات و معارف اسلامی، دانشگاه مازندران، بابلسر، ایران. | ||
| 2دانشکده الهیات و معارف اسلامی، دانشگاه مازندران، بابلسر، ایران | ||
| 3گروه فلسفه و کلام اسلامی، دانشگاه مازندران، بابلسر، ایران. | ||
| چکیده | ||
| Creative art, given its role in manifesting human creativity, holds particular significance. Systematizing the views of Muslim thinkers concerning creative art can illuminate the role of Islamic thought and rationality as a reflection of human creativity. The present study is grounded in the question of whether creative art may be identified as a predominant aesthetic principle within Sadrian philosophy of art, with particular emphasis on the works of Mulla Sadra and contemporary Neo-Sadrian thinkers such as Allameh Tabataba'i and Morteza Motahhari. The research employs a descriptive-analytical method, and data have been collected through library-based research. The findings indicate manifestations of the primacy of “creative art” across two major domains—epistemology and ontology—within Sadrian philosophy of art. In the first domain, creative art appears within transcendent epistemology (the inception of creative acts) through three issues: (1) the virtue of creative art within Mulla Sadra’s scientific-gradational system; (2) creative art in Sadrian thought from the perspective of imaginal forms; and (3) creative art in Sadrian thought with respect to the status of knowledge in eschatology. In the second domain, creative art manifests within transcendent ontology through two issues: first, within the transcendent causal system (the preservation of the artwork), and second, within transcendent existential psychology (the culmination of creative acts). | ||
| کلیدواژه‌ها | ||
| Philosophy of Art؛ Psychology of the Soul؛ Mulla Sadra؛ Contingency through Poverty (Imkān al-Faqrī)؛ Epistemology | ||
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آمار تعداد مشاهده مقاله: 1 |
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